his album "Gun-shy" is the 2nd full length album by the English Rock band: Screaming Blue Messiahs
In the vast landscape of alternative rock, Screaming Blue Messiahs emerged as a force of raw energy and unapologetic attitude. Their 12" LP vinyl album, "Gun Shy", stands as a testament to their distinctive sound and artistic vision. In this essay, we delve into the intense world created by Screaming Blue Messiahs on this album, exploring the captivating music and the impact it had on the alternative rock scene.
Released in 1986, "Gun Shy" captures the raw intensity and sonic experimentation that defined Screaming Blue Messiahs' music. The album is a sonic rollercoaster, filled with blistering tracks that delve into themes of alienation, social commentary, and personal struggles.
Screaming Blue Messiahs' distinct sound is shaped by the powerful guitar work of Bill Carter, accompanied by the driving bass lines of Chris Thompson and the energetic drumming of Kenny Harris. Their music combines elements of punk rock, blues, and garage rock, resulting in a sonic fusion that is both aggressive and infectious.
"Gun Shy" made a significant impact on the alternative rock scene of the 1980s. The album's raw intensity, catchy melodies, and unapologetic attitude resonated with a generation seeking music that challenged the mainstream. Screaming Blue Messiahs' influence can be heard in the works of subsequent alternative rock acts, as their music paved the way for bands to push boundaries and explore new sonic territories.
Although Screaming Blue Messiahs disbanded in the early 1990s, "Gun Shy" remains a testament to their musical legacy. The album's fierce energy and unique blend of genres continue to captivate listeners, proving that great music transcends time. It stands as a reminder of a band unafraid to break the mold and create music that resonates deeply with its audience.
Music Genre:British Post Punk Rock
The album: "SCREAMING BLUE MESSIAHS - Gunshy" was produced by: Vic Maile, Howard Grey
Vic Maile , born on 27 March 1943, was a highly respected British sound engineer and record producer who played a significant role in shaping the sound of rock and roll. With his remarkable talent and passion for music, Maile made a lasting impact on the industry, leaving behind a legacy that continues to resonate with fans and artists alike.
Maile's journey in music began during his formative years, where he developed a deep fascination with sound and its manipulation. As a teenager, he immersed himself in the world of electronics and sound engineering, constantly experimenting with audio equipment and exploring new ways to capture and enhance musical performances.
In the 1960s, Maile emerged as a sought-after sound engineer, working with numerous bands and artists in the thriving British music scene. His technical proficiency and ability to understand the intricacies of sound quickly earned him a reputation for excellence. Artists and producers recognized Maile as someone who could elevate their music to new heights through his expertise in the recording studio.
Throughout his career, Maile had the privilege of collaborating with a diverse range of bands and musicians, each with their unique styles and sonic signatures. Some of the notable names he worked with include:
1. Dr. Feelgood: Maile's partnership with Dr. Feelgood in the mid-1970s proved to be a pivotal moment in both his career and the band's success. He played a vital role in capturing the band's raw, high-energy pub rock sound, contributing to the creation of their influential debut album, "Down by the Jetty" (1975).
2. Motörhead: One of Maile's most iconic collaborations was with the legendary heavy metal band Motörhead. His production work on their seminal albums, such as "Overkill" (1979) and "Ace of Spades" (1980), helped define their distinctive and aggressive sound. Maile's ability to capture the band's raw intensity and sheer power in the studio cemented their status as one of the genre's most influential acts.
3. Girlschool: Maile's partnership with the all-female heavy metal band Girlschool yielded exceptional results. He worked closely with them on albums like "Hit and Run" (1981) and "Screaming Blue Murder" (1982), crafting a sound that balanced their fierce energy with melodic hooks. His production skills showcased the band's musical prowess and contributed to their rise in the male-dominated rock landscape.
4. The Quireboys: Maile collaborated with The Quireboys for their debut album, "A Bit of What You Fancy" (1990). With his guidance, the band achieved a blend of classic rock and roll swagger with a contemporary edge, resulting in a critically acclaimed record that earned them commercial success.
Vic Maile's talent as a sound engineer and record producer extended far beyond these notable collaborations. His contributions to the rock and roll genre are immeasurable, as he worked with a myriad of artists who trusted him to translate their artistic vision into captivating sonic experiences.
Sound/Recording Engineer(s): Ernie Wilkins
This album was mixed at: Unique Studios, New York, USA
Record Label Information:WEA 240 791 / WX 41
Media Format:12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
Year & Country:1988 Made in Germany
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"GUN SHY by The Screaming Blue Messiahs" Record Label Details: WEA 240 791 / WX 41 ℗ 1988 WEA Records Sound Copyright