"Screaming Blue Messiahs: Gun Shy" reverberates through the 12" LP Vinyl format, embodying the second full-length album by the English Rock band. Released with sonic intensity, this album showcases the Messiahs' distinctive blend of rock prowess. "Gun Shy" stands as a testament to the band's evolution, encapsulating their bold sound and lyrical depth. With each track, the album solidifies Screaming Blue Messiahs' place in the tapestry of English rock, leaving an indelible mark on the musical landscape.
Album Description:
In the vast landscape of alternative rock, Screaming Blue Messiahs emerged as a force of raw energy and unapologetic attitude. Their 12" LP vinyl album, "Gun Shy", stands as a testament to their distinctive sound and artistic vision. In this essay, we delve into the intense world created by Screaming Blue Messiahs on this album, exploring the captivating music and the impact it had on the alternative rock scene.
Released in 1986, "Gun Shy" captures the raw intensity and sonic experimentation that defined Screaming Blue Messiahs' music. The album is a sonic rollercoaster, filled with blistering tracks that delve into themes of alienation, social commentary, and personal struggles. Screaming Blue Messiahs' distinct sound is shaped by the powerful guitar work of Bill Carter, accompanied by the driving bass lines of Chris Thompson and the energetic drumming of Kenny Harris. Their music combines elements of punk rock, blues, and garage rock, resulting in a sonic fusion that is both aggressive and infectious. "Gun Shy" made a significant impact on the alternative rock scene of the 1980s. The album's raw intensity, catchy melodies, and unapologetic attitude resonated with a generation seeking music that challenged the mainstream. Screaming Blue Messiahs' influence can be heard in the works of subsequent alternative rock acts, as their music paved the way for bands to push boundaries and explore new sonic territories. Although Screaming Blue Messiahs disbanded in the early 1990s, "Gun Shy" remains a testament to their musical legacy. The album's fierce energy and unique blend of genres continue to captivate listeners, proving that great music transcends time. It stands as a reminder of a band unafraid to break the mold and create music that resonates deeply with its audience. |
Music Genre: British Post Punk Rock |
Album Production information: The album: "SCREAMING BLUE MESSIAHS - Gunshy" was produced by: Vic Maile, Howard Grey Vic Maile , born on 27 March 1943, was a highly respected British sound engineer and record producer who played a significant role in shaping the sound of rock and roll. With his remarkable talent and passion for music, Maile made a lasting impact on the industry, leaving behind a legacy that continues to resonate with fans and artists alike. Maile's journey in music began during his formative years, where he developed a deep fascination with sound and its manipulation. As a teenager, he immersed himself in the world of electronics and sound engineering, constantly experimenting with audio equipment and exploring new ways to capture and enhance musical performances. In the 1960s, Maile emerged as a sought-after sound engineer, working with numerous bands and artists in the thriving British music scene. His technical proficiency and ability to understand the intricacies of sound quickly earned him a reputation for excellence. Artists and producers recognized Maile as someone who could elevate their music to new heights through his expertise in the recording studio. Throughout his career, Maile had the privilege of collaborating with a diverse range of bands and musicians, each with their unique styles and sonic signatures. Some of the notable names he worked with include: 1. Dr. Feelgood: Maile's partnership with Dr. Feelgood in the mid-1970s proved to be a pivotal moment in both his career and the band's success. He played a vital role in capturing the band's raw, high-energy pub rock sound, contributing to the creation of their influential debut album, "Down by the Jetty" (1975). 2. Motörhead: One of Maile's most iconic collaborations was with the legendary heavy metal band Motörhead. His production work on their seminal albums, such as "Overkill" (1979) and "Ace of Spades" (1980), helped define their distinctive and aggressive sound. Maile's ability to capture the band's raw intensity and sheer power in the studio cemented their status as one of the genre's most influential acts. 3. Girlschool: Maile's partnership with the all-female heavy metal band Girlschool yielded exceptional results. He worked closely with them on albums like "Hit and Run" (1981) and "Screaming Blue Murder" (1982), crafting a sound that balanced their fierce energy with melodic hooks. His production skills showcased the band's musical prowess and contributed to their rise in the male-dominated rock landscape. 4. The Quireboys: Maile collaborated with The Quireboys for their debut album, "A Bit of What You Fancy" (1990). With his guidance, the band achieved a blend of classic rock and roll swagger with a contemporary edge, resulting in a critically acclaimed record that earned them commercial success. Vic Maile's talent as a sound engineer and record producer extended far beyond these notable collaborations. His contributions to the rock and roll genre are immeasurable, as he worked with a myriad of artists who trusted him to translate their artistic vision into captivating sonic experiences. Sound/Recording Engineer(s): Ernie Wilkins This album was mixed at: Unique Studios, New York, USA |
Record Label & Catalognr: WEA 240 791 / WX 41 |
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1988 Made in Germany |
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"GUN SHY by The Screaming Blue Messiahs" Record Label Details: WEA 240 791 / WX 41 ℗ 1988 WEA Records Sound Copyright
Emerging from the vibrant UK music scene of the mid-1980s, The Screaming Blue Messiahs carved a unique niche with their electrifying blend of punk energy, rockabilly swagger, and blues-infused melodies. This potent concoction, often dubbed "punkabilly," set them apart from their contemporaries and garnered critical acclaim.
A Unique Musical Style: The band's sound was a thrilling collision of genres. Their driving rhythms, distorted guitars, and raw vocals channeled the rebellious spirit of punk, while their twangy guitar licks and infectious melodies paid homage to rockabilly's roots. This fusion of styles, coupled with their energetic live performances, created an exhilarating experience for audiences. Bill Carter: The Lyrical Maverick: Frontman Bill Carter was the band's creative force, his distinctive vocals and thought-provoking lyrics setting them apart. His songwriting often explored themes of American culture, social commentary, and personal struggles, all delivered with a biting wit and dark humor. Carter's enigmatic persona and captivating stage presence further solidified the band's unique identity. David Bowie's Endorsement: The Screaming Blue Messiahs caught the attention of none other than David Bowie, who became a vocal supporter and champion of their music. Bowie, known for his eclectic taste and willingness to embrace emerging talent, invited the band to open for him on his 1987 "Glass Spider" tour, exposing them to a wider audience and solidifying their reputation as a rising force in the music scene.Emerging from the vibrant UK music scene of the mid-1980s, The Screaming Blue Messiahs unleashed their debut mini-album "Good and Gone." The album arrived at a time when post-punk was evolving, and bands were experimenting
Learn moreReleased in 1986, "Gun Shy" captures the raw intensity and sonic experimentation that defined Screaming Blue Messiahs' music. The album is a sonic rollercoaster, filled with blistering tracks that delve into themes of alienation, social commentary, and personal struggles.
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