"Revelations," Killing Joke's third album, released in 1982 amid the post-punk era's zenith, is a sonic manifesto that defies conventions. Produced by Conny Plank, its tracks like "Empire Song" and "Chop-Chop" showcase the band's fusion of tribal rhythms and angular guitars. A cult classic, "Revelations" remains a testament to Killing Joke's influential sound and its enduring impact on alternative music. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.


large photo of the album front cover of: KILLING JOKE - REVELATIONS

"Revelations" Album Description:

Killing Joke, the pioneering English post-punk group, left an indelible mark on the music scene with their third studio album, "Revelations." Released in the tumultuous year of 1982, this LP showcased the band's unique blend of post-punk, new wave, and industrial influences. To truly appreciate the significance of "Revelations," let's delve into the historical context and the creative process that led to its creation.

Historical Backdrop: 1982, A Pivotal Year for Post-Punk

The early 1980s were a dynamic period in music, marked by the rise of post-punk—a genre that emerged as a rebellious response to the constraints of punk rock. Killing Joke, formed in 1978, had already gained recognition for their distinctive sound and confrontational lyrics. As the band entered the studio for their third album, they were poised to make a statement that would solidify their place in the evolving post-punk landscape.

The Making of "Revelations": A Sonic Odyssey

"Revelations" was recorded at Basing Street Studios in London, a hub for many influential artists of the time. The band enlisted the production expertise of Conny Plank, a German record producer renowned for his work with various progressive and new wave acts. Plank's influence on the album's sonic landscape was pivotal, contributing to the atmospheric and experimental qualities that define "Revelations."

The album's tracks, including the singles "Empire Song" and "Chop-Chop," exhibited a fusion of tribal rhythms, angular guitar work, and Jaz Coleman's distinctive vocal delivery. Coleman's absence during the Top of the Pops performance of "Empire Song," as he had just left for Iceland, added an intriguing layer of mystique to the album's narrative.

Reception and Legacy

Upon its release on June 2, 1982, "Revelations" garnered critical acclaim for its innovation and intensity. The album's sonic experimentation, coupled with thought-provoking lyrics, resonated with fans and critics alike. Over the years, it has become a cult classic, influencing subsequent generations of alternative and industrial musicians.

Music Genre:

 English Post-Punk 

Album Production Information:

The album: "KILLING JOKE - Revelations" was produced by: Killing Joke & Conny Plank

Conny Plank (Birth-name: Konrad Plank )

Conny Plank was a visionary and influential music producer, sound engineer, and musician. Born as Konrad Plank on 3 May 1940, in Hütschenhausen, Germany, he would go on to revolutionize the world of music production and leave an indelible mark on the industry. Throughout his career, Plank became synonymous with innovation and experimentation, pushing boundaries and shaping the sound of countless artists across various genres.

Plank's passion for music began at an early age. He grew up in a musical household, with his father being an accomplished pianist. Inspired by his father's talent and love for music, Plank developed a deep appreciation for sound and its creative possibilities. In his teenage years, he became interested in electronics and began experimenting with audio equipment, building his own amplifiers and speakers.

In the late 1960s, Plank established his own studio, the legendary Conny's Studio, located in the remote countryside near Cologne, Germany. The studio quickly gained a reputation as a hub for avant-garde and experimental music. Plank's approach to production was marked by a unique blend of technical expertise and artistic intuition. He embraced new technologies and techniques, constantly pushing the boundaries of what was considered possible in the studio.

Plank's breakthrough moment came in the early 1970s when he collaborated with the influential German rock band Kraftwerk. He produced their landmark albums "Autobahn", "Radio-Activity", and "Trans-Europe Express", which showcased his ability to merge electronic sounds with traditional rock instrumentation. Plank's meticulous attention to detail and his talent for sculpting sound helped create the distinct and futuristic sound that would define Kraftwerk's music.

Following his success with Kraftwerk, Plank's reputation grew, and he became sought after by artists from around the world. He worked with a diverse range of musicians, including Brian Eno, Neu!, Can, Cluster, Devo, and many others. Plank's production style emphasized collaboration and experimentation. He believed in creating a comfortable and inspiring environment for artists, encouraging them to explore new ideas and sounds.

One of Plank's notable collaborations was with British musician Brian Eno, with whom he worked on several influential albums, including "Before and After Science" and "Cluster & Eno". Their partnership resulted in groundbreaking sonic landscapes that combined ambient textures with pop sensibilities, setting the stage for the development of ambient music.

Tragically, Conny Plank's career was cut short by his untimely death on 18 December 1987, at the age of 47. Despite his relatively short career, Plank's impact on the music industry was immeasurable. His innovative production techniques and sonic experiments laid the foundation for many subsequent musical movements, from electronic music to post-punk and beyond.

Conny Plank's legacy continues to inspire musicians and producers to this day. His willingness to challenge the status quo, his openness to new ideas, and his unwavering commitment to sonic exploration remain a testament to his enduring influence. Plank's contributions to music production and his ability to shape the sound of an era make him an irreplaceable figure in the history of popular

Record Label Information:

Energy Music, EG Records EGMD 3

Matrix/stamper codes: Side A: STRAWBERRY EGMD 3 A//1 Δ 420 Side B: STRAWBERRY EGMD 3 B//1 Δ 420

Media Format:

 12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

 1982 Made in UK / England
Personnel/Band Members and Musicians on: KILLING JOKE - Revelations
    Band-members, Musicians and Performers
  • Jaz Coleman - vocals, synthesizer
  • Kevin "Geordie" Walker - guitar
  • Martin "Youth" Glover - bass guitar
  • Paul Ferguson - drums, vocals
Complete Track-listing of the album "KILLING JOKE - Revelations"

The detailed tracklist of this record "KILLING JOKE - Revelations" is:

    Track-listing Side One:
  1. "The Hum" – 4:58
  2. "Empire Song" – 3:19
  3. "We Have Joy" – 2:56
  4. "Chop-Chop" – 4:19
  5. "The Pandys Are Coming" – 4:27
    Track-listing Side Two:
  1. "Chapter III" – 3:13
  2. "Have a Nice Day" – 3:13
  3. "Land of Milk and Honey" – 2:38
  4. "Good Samaritan" – 3:28
  5. "Dregs" – 4:57
High Quality Photo of Album Front Cover  "KILLING JOKE - Revelations"
Album Back Cover  Photo of "KILLING JOKE - Revelations"
Inner Sleeve   of "KILLING JOKE - Revelations" Album
Photo of "KILLING JOKE - Revelations" Album's Inner Sleeve  
Photo of "KILLING JOKE - Revelations" 12" LP Record
Close-up Photo of "KILLING JOKE - Revelations" Record Label 
Photo of "KILLING JOKE - Revelations" 12" LP Record
Close-up Photo of "KILLING JOKE - Revelations" Record Label 

Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash.