Diamond Head's "Am I Evil" is a pivotal Heavy Metal album, originally released in 1987 by FM Revolver Records, later reissued in 1994 by Heavy Metal Records. This 12" LP, a collector's gem, epitomizes the band's raw power and musical finesse. With enduring appeal, it symbolizes a timeless chapter in European Heavy Metal history, connecting fans across generations to the iconic sounds of Diamond Head.


Front Cover Photo Of DIAMOND HEAD - Am I Evil Genuine UK Release 12" Vinyl LP Album

"Am I Evil" Album Description:

The seminal Heavy Metal band Diamond Head's album, "Am I Evil," holds a significant place in the genre's history. Originally released in 1987 under the FM Revolver Records label, it later received a reissue by Heavy Metal Records in 1994. This iconic LP, available on a 12" vinyl album, has left an indelible mark on the landscape of Heavy Metal.

The year 1987 marked a crucial period for Diamond Head, as they unleashed "Am I Evil" to the eager ears of metal enthusiasts. The album's original release under FM Revolver Records attests to the band's commitment to delivering their raw and powerful sound to the masses. This version captures the essence of Heavy Metal in its purest form, showcasing the band's musical prowess and songwriting finesse.

The significance of "Am I Evil" extends beyond its initial release, as evidenced by its subsequent reissue in 1994 under Heavy Metal Records. This re-release speaks to the enduring appeal and timeless quality of Diamond Head's music. The fact that the album found a renewed audience speaks volumes about the band's enduring influence and the timeless nature of their work.

The 12" LP format adds a tangible and nostalgic element to the experience of listening to "Am I Evil." Vinyl enthusiasts appreciate the warmth and authenticity that comes with the analog sound of a vinyl record. The large album cover provides a canvas for captivating artwork and serves as a visual complement to the auditory journey that unfolds when the needle hits the grooves.

In the realm of European Heavy Metal, Diamond Head's "Am I Evil" stands as a testament to the genre's rich history. The band's contribution to the evolution of Heavy Metal is underscored by the enduring appeal of this particular release. Whether it's the powerful riffs, the evocative lyrics, or the overall energy of the album, "Am I Evil" continues to resonate with fans and remains a cornerstone in the pantheon of Heavy Metal classics.

As collectors and enthusiasts seek out the original 1987 release on FM Revolver Records, they are not merely acquiring a physical artifact; they are obtaining a piece of Heavy Metal history. The LP serves as a time capsule, preserving the essence of a musical era that laid the foundation for the diverse and dynamic Heavy Metal landscape we know today.

Album Description & Collectors information:


This album contains tracks of Diamond Head's early recording "Borrowed Time (1982)". The album cover artwork is done by Rodney Matthews

Transcript of the Liner Notes:

These notes give background information on the history of NWOBHM ( New Wave Of British Heavy Metal ) and the history and music style by the "DIAMOND HEAD" band

From out of nowhere_ they seem to come. riding roughshod over the treacherous terrain and into a place in history's trenches. They were the pioneers of the so-called New Wave of British Heavy Metal, a batallion of steam-happy salamanders out to breathe some life into the ailing Metal scene.

All it seems such a long time ago that people first whispered in stomped tones about Samson, Angel Witch, Praying Mantis, Quartz, Vardis, Jameson Raid, Ethel The Frog, Toad The Wet Sprocket and other hopefuls destined to disappear into the void of obscurity.

Only Iron Maiden, Def Leppard and (to a lesser extent) Saxon have survived to prosper. Yet, one name is missing from the above list. an act who perhaps can claim with considerable force to have been the finest band to emerge from the genre: a four-piece on whom the passage of time has given a deserved coating of legend "Diamond Head"".

For a short period of time, it was this Stourbridge-base group (formed in '78) who seemed destined to take on the stack-heeled world and leave it quaking in its phenomenal wake. it was they who were hailed as the natural successors to Led Zeppelin.

It was they who packed out venues across the country without the help of either a major record contract or big-time management representation. "Diamond Head" were simply awesome. A gargantuan exercise in all that's best about British rock. Ah yes, stories about the enthusiasm shown for this band are now legendary.

There was the time that fans queued right round the block in Richmond for a show at Brollies Club on the Thames. When you consider that a lot of acts with bigger financial backing could scarcely raise a handful of loyalists at Brollies it was an achievement indeed.

Then there was the occasion when a crowd in Swindon simply wouldn't let the band offstage. imploring 'em back for five encores before carrying the boys shoulder-high out of the venue. Is it any wonder, with fanaticism such as this that most of us were convinced that Diamond Head simply could not fail to hit the biggest and best of times?!

I first saw the Head in early 1980- It was at the Lyceum Ballroom in London. Iron Maiden were just wrapping up their first real headlining tour of the UK. Their debut album had burst onto the charts and they seemed to be the name on everybody's lips. Supporting the five-piece were Praying Mantis, Angel Witch and bottom on a bill of four Diamond Head.

DH were given about 25 minutes to perform a highly truncated set, with hardly any room to breathe, let alone move. Yet such was the charisma and power emanating from the stage that even under such extremely adverse conditions, Diamond Head positively glowed.

A day later, I saw them supporting Girl at The Marquee and the combination of these two performances just hooked me for life. There was no turning back and I saw 'em subsequently on countless occassions in the ensuing years. What was so special? Well.

In many respects the whole was greater than the sum of the parts. The rhythm section of bassist Colin Kimberly and drummer Duncan Scott was never spectacularly inventive, but it was capable of holding down the beat in a uniform fashion, allowing guitarist Brian Tatter room to manoeuvre and gyrate, flaunting a penchant for total unhurried heavy chord structures within a distinctly smokin' ass bluesy framework.

And riding gladiatorily over the top of the instrumental column came the motivationally outlandish vocals from the immaculate Sean Hauls, always the star of the group and a constant source of inspiration to those around him. Sean drew on a rich heritage of singers (David Coverdale, Robert Plant, Glenn Hughes, Paul Rodgers), yet ascribed his own unique phrasing to every song, making them live, breathe.

Laugh and cry. Emotions were most assuredly encapsulated and arranged in a style no-one else has been able to match in recent years. So, what went wrong? A mixture of factors: little luck. bad management decisions, the wrong major label (MCA) at the right time perhaps even a few diffuse factors that remain indefinable even now.

The plain fact of the matter is that. having established such a cult following both on the live circuit and also through independent releases ( a white label, mail order-only album called - at least unofficially - 'Lightning To The Nations', plus a four-track EP called 'Diamond Lights' and three singles - 'Waited Too Lung:'/'Play It Loud, 'Sweet & Innocent'/'Streets Of Gold', Shoot Out The Lights'/'helpless') the band then inked a deal with MCA, hooked up with producer Mike Shipley and released 'Living On Borrowed Time', an album that castrated the very essence of their energy, vitality and momentum.

The rest, as they say, is forgettable cemetery history. Kimberly was replaced by Mervyn Goldsworthy (now with FM) and disappeared to New Zealand. In came keyboardsman Josh Phillips-Gorse and the second album, 'Canterbury', was a disastrous experiment, followed by an equally appalling set at Castle Donington in '83.

It was over and out, goodbye and farewell But, before things got out of control there were sufficient immortal moments, songs, performances of passion and high-grade showmanship/musicianship for me to still proclaim Diamond Head as the band who should have blown away the opposition.

I will always maintain that with even a modicum of fortune, these boys would have decimated Iron Maiden and wiped Def Leppard clear off the chalk board. 'Am I Evil' is, Perhaps. the first album (compilation or otherwise) to truly capture the spirit and vitality of the band.

Why? Because it represents a collection of demos, produced by the band themselves under virtually one-take, live conditions. This gets to the very heart of the quartet and you'll never again hear something so sensitively demonstrative of DH's potential and all encompassing delivery.

This is DH, standing naked and proud, wallowing in stardust under the silvery shadow of the beckoning glove of fate. 'Am I Evil itself begins with a militaristic body charge so redolent of 'Mars: The Bringer Of War' from Hold's 'Planets Suite', before opening up into a full-blooded. orchestrally muscular tam of mean Metal intensity.

Is it any wonder that Metallica chose to cover this particular number not long ago? 'In the Heat Of The Night' just swelters and rubs its nose into bar-room blues technique yet alas has a youthful exuberance, Harris voice scything out a sensual passage through thickly-nettled chords. "Don't You Ever USW dike 'Borrowed Time', 'To Heaven From lie 'Dead Reckoning'. 'Lightning To The Nations'. `Snaking; My Love all surge ebb, flow, flower and biid leaving other, previously-released versions licking turning their gouged wounds in the gutter.

This is Diamond Head the way I wanna remember them. capable of turning the screw is any direction they as chose whilst never losing their individual grip. They were the glory.glory apostles who somehow took a lean slug from the wrong kookier bottle and became mere candy in the A tragedy. `Am I Evil' a tribute . a long overdue eulogy. a fitting reminder. Yeah. we can breathe easily at night again.

Now just slam it on your stere. OK?



Music Genre: NWOBHM Heavy Metal 
Album Production information:

The album: "DIAMOND HEAD – Am I Evil" was produced by: Diamond Head

Album cover design: Rodney Matthews

Rodney Matthews, a British illustrator of extraordinary talent, has carved a remarkable niche for himself in the world of fantasy art. With his imaginative creations and meticulous attention to detail, Matthews has brought to life countless captivating worlds and characters, enchanting audiences across the globe. Born on 6 March 1945, in London, England, Matthews discovered his passion for art at a young age and embarked on a lifelong journey that would shape the landscape of fantasy illustration.


As a child, Matthews exhibited a natural affinity for drawing, sketching fantastical creatures and landscapes that sprang from the depths of his imagination. His artistic abilities were nurtured by his family, who recognized his unique gift and encouraged him to pursue his creative pursuits. Fuelled by their support and his own unwavering determination, Matthews set out to hone his skills and make a name for himself in the art world.

After completing his formal education at Twickenham Art College, Matthews began his professional career as a graphic designer. His early work encompassed a wide range of artistic endeavors, including album covers, book covers, and advertising campaigns. However, it was in the realm of album cover artwork that Matthews truly found his calling, and his talent soon caught the attention of musicians and bands seeking to visually represent their music.

Throughout the 1970s and 1980s, Matthews collaborated with some of the most iconic names in the music industry, including rock bands such as Nazareth, Magnum, and Thin Lizzy. His album cover artwork became synonymous with these bands' identities, visually capturing the essence of their music and captivating audiences before a single note was played. Matthews' distinctive style, characterized by intricate details, vibrant colors, and a sense of wonder, brought a new dimension to the listening experience, making him one of the most sought-after illustrators of the time.

Matthews' artistic contributions extended beyond album covers, as he lent his talents to various mediums, including book illustrations and posters. He illustrated the covers of numerous fantasy and science fiction novels, working with esteemed authors such as Michael Moorcock and Terry Pratchett. His intricate and evocative illustrations added depth and allure to these literary works, immersing readers in the fantastical worlds they portrayed.

In addition to his commercial work, Matthews also pursued personal projects that allowed him to delve further into his own creative visions. These projects included the creation of his own illustrated books, such as "The Tale of the Unicorn" and "The Pied Piper of Hamelin", which showcased his storytelling abilities and allowed him to explore new artistic horizons.

Over the years, Matthews' talent and influence have garnered recognition and acclaim worldwide. His work has been exhibited in prestigious galleries, and he has received numerous awards and accolades for his contributions to the field of illustration. His art continues to inspire and captivate generations of artists and art enthusiasts alike, transcending boundaries and transporting viewers into realms of fantasy and imagination.

Rodney Matthews' artistic legacy serves as a testament to the power of imagination and the ability of art to transport us to new worlds. Through his intricate and awe-inspiring illustrations, he has touched the hearts and minds of countless individuals, igniting their own creative sparks and inviting them to explore the infinite possibilities of the imagination

Record Label: FM WKFM LP 92

Record Format:

12" LP Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country  1987 Made in UK
Personnel/Band Members and Musicians on: DIAMOND HEAD – Am I Evil
    Band-members, Musicians and Performers
  • Brian Tatler – Guitar, vocals
  • Sean Harris – vocals
  • Duncan Scott – drums
  • Colin Kimberly – Bass
Complete Track-listing of the album "DIAMOND HEAD – Am I Evil"

The detailed tracklist of this record "DIAMOND HEAD – Am I Evil" is:

    Track-listing Side One:
  1. Am I Evil
  2. Heat Of The Night
  3. Don't You Ever Leave Me
  4. Borrowed Time
    Track-listing Side Two:
  1. To Heaven From Hell
  2. Dead Reckoning
  3. Lightning To The Nations
  4. Sucking My Love

DIAMOND HEAD - Am I Evil Genuine UK Release 12" Vinyl LP Album High Resolution & Quality Photos

Front Cover Photo Of DIAMOND HEAD - Am I Evil Genuine UK Release 12" Vinyl LP Album
Front Cover Photo Of DIAMOND HEAD - Am I Evil Genuine UK Release 12" Vinyl LP Album


Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

Photo Of The Back Cover DIAMOND HEAD - Am I Evil Genuine UK Release 12" Vinyl LP Album
Photo of album back cover DIAMOND HEAD - Am I Evil Genuine UK Release 12" Vinyl LP Album


Close up of record's label DIAMOND HEAD - Am I Evil Genuine UK Release 12" Vinyl LP Album Side One:
Close up of record's label DIAMOND HEAD - Am I Evil Genuine UK Release 12" Vinyl LP Album Side One

FM Coast To Coast WKFM LP 92 Record Label Details