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As the world’s biggest Johnny Winter fan, I’ve gone through these reviews with a mix of reverence, realism, and deep appreciation for the blues legend. These firsthand accounts of Johnny's performances from the late 90s capture a period of his career marked by physical decline but also serve as a reminder of his undeniable spirit and enduring musicianship.
In the first review, Pat Harrington paints a sobering picture of Johnny’s health during a show at the House of Blues in 1998. Harrington, a seasoned musician himself, recalls Johnny as a shadow of his former self, looking frail and struggling with rhythm. However, beneath the harsh critique, there's a recognition of the difficulty of Johnny’s situation—a man who has given so much to music but is visibly ailing, both physically and musically. Despite the disappointment, there's a glimmer of affection and respect for what Johnny once was, which lingers in the final note of regret.
Steve Williamson, in his review of a live-streamed Johnny show, offers a more forgiving and heartfelt account. While acknowledging Johnny’s reduced energy, Williamson is thrilled just to witness the man who has provided him with "thousands of hours of music pleasure." Though he admits that Johnny’s playing isn’t perfect and the performance is short, the excitement of seeing him live again, even via a screen, outweighs any technical shortcomings. This review echoes the devotion that true fans continue to feel for Johnny, regardless of his condition.
The third review brings us back to the House of Blues for another 1998 performance. The writer, initially cautious due to negative reviews, finds solace in the fact that Johnny still commands a stage presence, even if his speed and physicality have slowed. They speculate that Johnny may be going blind, explaining some of his faltering performance. But even at half-speed, Johnny’s taste and feel for the blues still set him apart from most guitarists, reaffirming his place in the pantheon of blues greats. There are notable highlights in the show—especially his slide work and voice, which still resonate with the audience. The reviewer is quick to point out that despite the decline, seeing Johnny live is still a worthwhile experience, and his essence remains intact.
In summary, these reviews reflect a period in Johnny Winter’s career where his physical frailty began to impact his performances, but they also underscore the immense respect and loyalty that fans have for him. His decline is noted with sadness, but no one can deny that his legacy as a blues icon remains untouched. Even as his playing faltered and his health waned, Johnny Winter’s spirit, talent, and connection with his audience shone through. These accounts remind us that legends may age, but their impact and contribution to music are everlasting.
I've been reading with horror all the bad reviews about Johnny's most recent concerts, so I decided to check it out for myself. I've been a musician for over 30 years and have been playing bass for more than 22 years. Last night was a disappointment, though not entirely a shock given the reviews I'd read beforehand.
Johnny looks like a 75-year-old man who's suffered through years of heroin abuse, perhaps with resultant hepatitis. He also appears to be showing early signs of what could be Parkinson’s disease. I'm no doctor, but I call it like I see it. As he shuffled onto the stage, I wasn't sure if he would make it or fall. He grabbed his Lazer guitar and started the first song.
It was clear the band had rehearsed, and the transition from the blues 4/4 feel to the swing feel—on what I think was "Hideaway"—was smooth. The song, however, went on for what seemed like 10 minutes, with Johnny playing the same licks over and over. His playing was sloppy and consistently behind the beat. Throughout the first four tunes, both Mark (the bass player) and the drummer had to cover for Johnny's many rhythmic stumbles.
I don't envy Mark at all—he’s got one of the toughest bass jobs imaginable, holding everything together with glue and tape, wondering how long it’s going to hold. I went to the show last night with the two guitarists from the blues band I play with, and we were all so ashamed, we left early, after about five or six songs.
Realistically, I’d say Johnny’s playing is at about 10-15% of what it used to be. His weight must be down to around 90 lbs., and unless he gets some medical help or intervention, I can't see him being with us much longer. He belongs in a hospital bed or a rest home, and Teddy Slatus should be shining shoes or parking cars.
I'm glad I saw Johnny for what will surely be the last time, but I’m also a little angry that I had to pay so much for tickets, parking, beers, and the like. For a total of $50 or so, I expected a first-rate show from a performer in top form. What I got last night was just the opposite.
Rock on,
Pat Harrington
Well, I just finished watching Johnny live on the internet! It wasn’t as bad as I feared—his encore pulled it out for him, in my opinion.
Johnny seemed to move around OK, and his singing was good. He performed a lot from the Live CD and Sick and Tired. He even introduced the songs with the same words he uses on the CD! At one point, I wondered if it wasn’t the CD being played live!
The show seemed short—under an hour. His playing on "Black Jack" seemed off; it felt like he missed a lot of notes, but I’m not a guitar player, so I might be wrong. I was hoping he would say hello to the fans watching online, but as far as I can tell, he didn’t mention it.
Overall, I wasn’t disappointed. It was great to see Johnny live again, even with the poor video quality. He didn’t look as bad as some of the recent reviews have described, yet a lot of the man’s spirit seems to be gone. But still, for all the thousands of hours of musical pleasure he’s given me, I’d be willing to pay just to be in the same room with him!
Best, Steve Williamson
Caught Johnny's show last night at the House of Blues. First off, HOB is a beautiful club—a state-of-the-art facility. I was really looking forward to seeing Johnny again since he hasn’t been through LA since ’92 when he played at The Palace, which was a fantastic show! However, I was definitely apprehensive about what I might see after reading all the negative things people had written about Johnny’s health and playing.
He came on stage at 10:30 after an opening set by Corey Stevens. As far as his appearance goes, he didn’t look much different from the last time I saw him, but he moved very slowly and cautiously. During "Hideaway," I turned to my friends and mentioned that I felt Johnny must be going blind—he never once looked down at his guitar. If he can still see, his vision must be very limited. I believe this lack of vision is what some people mistake for feebleness.
As for his playing, he has definitely slowed down; he plays at about 50% of the speed he had during his glory days. However, he still plays with exceptional taste! Johnny is STILL better than 90% of guitar players today. During "Hideaway," he missed about 10 notes, which is 9 more than I’ve seen him miss in the previous 20 times I’ve seen him since the mid-70s. With every song, he became more and more comfortable in his playing.
Now, for some of the highlights of the show: his version of "Sick & Tired" was vintage Johnny! He also treated us to some trademark Winter growls of "All right, you got it people!" between a few songs. The crowd loved it. Believe me, his voice is far from shot. His slide work on "The Sun Is Shining" was very good. He encored with "Johnny Guitar," which rocked and had a lot of people in the crowd singing along. He finished the show with "Drop the Bomb," which had people dancing!
I must also mention his bass player, Mark Epstein—excellent! I couldn’t tell if it was Tom Compton on the drums (he wore a hat), but the drumming was superb.
All in all, it was great to see Johnny again, even though he has slowed down. Hey, we’re all getting older! If you get a chance to see the man, I don’t think you’ll be disappointed.