In the heart of the 1980s, when heavy metal was experiencing a global surge, Germany's Invader unleashed their debut album, "Children of War," upon the world. Released in 1985 on Bonebreaker Records, this album stands as a testament to the era's raw energy and unbridled enthusiasm for heavy music.
Historical Context
The mid-1980s was a pivotal time for heavy metal. Bands like Iron Maiden, Judas Priest, and Metallica were dominating the scene, inspiring countless others to pick up their instruments and join the fray. "Children of War" emerged amidst this wave of metal mania, capturing the spirit of the times with its unpolished sound and youthful exuberance.
Musical Exploration
"Children of War" is a straightforward and energetic heavy metal album. It doesn't delve into complex musical structures or experimental sounds. Instead, it focuses on delivering a solid dose of headbanging riffs, soaring vocals, and thunderous drums. The album's ten tracks are filled with catchy choruses, anthemic melodies, and solos that showcase the band's technical skills.
While "Children of War" may not break new ground musically, it excels at delivering a pure and unadulterated heavy metal experience. The band's passion and enthusiasm shine through in every song, making it a fun and enjoyable listen for fans of the genre.
Music Genre
"Children of War" is a classic example of traditional heavy metal. It draws inspiration from the New Wave of British Heavy Metal (NWOBHM) bands, incorporating elements of hard rock and speed metal into its sound. The album's sound is characterized by its driving rhythms, powerful vocals, and melodic guitar work.
Controversies
"Children of War" did not generate any significant controversies upon its release. However, its cover art, which depicts a menacing warrior wielding a sword, might have raised a few eyebrows due to its violent imagery. Nevertheless, the album's content was primarily focused on themes of war, rebellion, and social commentary, common tropes in heavy metal lyrics.
Production Team and Recording Studio
Information about the album's production team and recording studio is scarce. However, it is known that the album was produced by Harris Johns, a renowned German producer who had worked with other notable heavy metal bands like Helloween and Scorpions. The recording studio remains unknown, but given the album's raw sound, it is likely that it was recorded in a smaller, less polished studio.
