"Death by Manipulation," Napalm Death's 1991 compilation, encapsulates their sonic evolution, blending grindcore and death metal. A brutal barrage of singles, from "Mass Appeal Madness" to "Suffer the Children," showcases the band's prowess. Produced by Scott Burns, this album remains a pivotal force, influencing generations of metal artists.
Napalm Death, a name synonymous with the extreme realms of metal, unleashed their uncompromising prowess in the form of the album "Death by Manipulation." This compilation, a relentless assault of singles, solidified their status as pioneers of British Death Metal. Released on August 19, 1991, this album stands as a testament to the band's sonic evolution and influence on the genre.
The Genesis of Sonic Aggression
To comprehend the significance of "Death by Manipulation," delving into Napalm Death's history is imperative. Formed in Birmingham in 1981, the band's early lineup included the likes of Nicholas Bullen, Simon Oppenheimer, and Miles Ratledge. However, it was the arrival of Lee Dorrian, Bill Steer, and Mick Harris that marked the inception of their iconic grindcore sound.
The band's debut album, "Scum" (1987), catapulted them into the underground scene, blending ferocious speed, political lyrics, and an unrelenting intensity. Napalm Death's sonic trajectory continued with subsequent albums, each pushing the boundaries of aggression.
Evolution in Chaos
"Death by Manipulation" emerged at a crucial juncture in Napalm Death's evolution. The album serves as a collection of singles, providing a panoramic view of the band's sonic experimentation and thematic exploration. From the raw energy of "Mass Appeal Madness" to the frenetic pace of "Suffer the Children," the compilation captures Napalm Death at the zenith of their creative prowess.
Melding grindcore, death metal, and punk influences, the album resonated with a diverse audience, solidifying Napalm Death's impact on the global metal landscape.
Behind the Studio Walls
The making of "Death by Manipulation" involved the collaborative genius of Napalm Death's lineup during that era – Shane Embury on bass, Barney Greenway on vocals, Jesse Pintado on guitars, Mitch Harris on guitars, and Mick Harris on drums. The production, helmed by Scott Burns, ensured a sonic assault that encapsulated the intensity of Napalm Death's live performances.
Legacy and Impact
"Death by Manipulation" remains a cornerstone in Napalm Death's discography. Its influence echoes through generations of metal bands, inspiring a myriad of artists to embrace the ferocity and uncompromising nature of extreme music.
In a world where chaos meets harmony, Napalm Death's "Death by Manipulation" stands as a sonic manifesto, a relentless journey through the world of extreme metal.
Music Genre: Death Metal, Grindcore |
Record Label Information: Earache MOSH51 |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1992 Made in England |
Personnel/Band Members and Musicians on: NAPALM DEATH Death by Manipulation |
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Complete Track-listing of the album "NAPALM DEATH Death by Manipulation" |
The detailed tracklist of this record "NAPALM DEATH Death by Manipulation" is:
Production and engineering information:
Tracks 1-4 Recorded At Eddie Vadale's Violent Noise Experience Club 1-4 March '91. Engineered By Daniel Sprigg, Produced By Napalm Death. |
Album Front Cover Photo of "NAPALM DEATH Death by Manipulation" |
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Photo Of The 5 Napalm Death Band-Members On The Album Back Cover Of "Napalm Death Death By Manipulation" |
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Lyrics and artwork insert of "NAPALM DEATH Death by Manipulation" Album |
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Lyrics and artwork insert of "NAPALM DEATH Death by Manipulation" Album |
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Close-up of the "Earache" Black and White Record Label for "NAPALM DEATH Death by Manipulation" 12" Side One |
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Close-up of the "Earache" Black and White Record Label for "NAPALM DEATH Death by Manipulation" Side Two |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |