Emerging from the vibrant Minneapolis punk scene in the early 1980s, Franklin's "Go Kid Go" 12" LP vinyl album is a landmark release in the development of crossover thrash, a genre that blended the raw energy of punk with the speed and aggression of thrash metal.
Historical Context and Musical Exploration
In the early 80s, hardcore punk was reaching a fever pitch, with bands pushing the boundaries of speed and intensity. Simultaneously, a new wave of heavy metal bands was emerging, drawing inspiration from punk's DIY ethos and rebellious spirit. Franklin, with their unique blend of punk, metal, and hardcore influences, were at the forefront of this crossover movement.
"Go Kid Go" is a sonic assault of fast tempos, pummeling drums, and furious vocals. The album's ten tracks are a whirlwind of energy, showcasing the band's technical skill and songwriting prowess. The lyrics, delivered in a raw and aggressive style, touch on themes of social unrest, political disillusionment, and the frustrations of youth.
Genre and Controversies
Franklin's music defied easy categorization. It was too heavy for punk purists, yet too punk for metalheads. This led to some initial controversy and confusion within the music scene. However, it was precisely this genre-bending approach that made Franklin so influential. Their willingness to experiment and push boundaries paved the way for countless crossover thrash bands to follow.
Production Team and Recording Studio
The album was produced by the band themselves, along with local engineer Tom Herbers. It was recorded at Blackberry Way Studios in Minneapolis, a renowned studio known for its work with punk and hardcore bands. The album's raw sound and DIY production values were a reflection of the band's independent spirit and punk rock ethos.
