In the heart of 1982, amidst the bleakness and social unrest of Thatcher's Britain, Charged GBH unleashed their compilation album "Leather, Bristles, No Survivors and Sick Boys...". This vinyl slab of punk rock fury became an instant anthem for disaffected youth, capturing the raw anger and disillusionment of a generation left behind.
Riotous Sounds in a Time of Discontent
GBH's music was a reaction to the harsh realities of the time – unemployment, poverty, and political apathy. Their sound was a ferocious blend of punk rock energy, buzzsaw guitars, and Colin Abrahall's distinctive snarling vocals. Songs like "Sick Boy" and "No Survivors" were anthems of defiance, railing against authority and celebrating the rebellious spirit.
Not for the Faint of Heart
"Leather, Bristles..." wasn't just a collection of songs; it was a statement. The album's title alone was a provocation, hinting at the violence and nihilism that permeated the lyrics. Songs like "Slit Your Own Throat" and "Am I Dead Yet?" were not for the faint of heart, but they resonated with a generation that felt unheard and unseen.
Controversy and Censorship
GBH's music was not without controversy. The band's lyrics, often dealing with violence and antisocial behavior, attracted the attention of moral crusaders and the media. Some radio stations refused to play their songs, and their live shows were occasionally met with police intervention. But for GBH and their fans, the controversy only fueled their rebellious spirit.
DIY Punk Rock Ethos
The album was produced by GBH themselves, with engineer Mike "Clay" Stone, who had previously worked with Discharge and The Exploited. It was recorded at the band's own Clay Records studio, a testament to the DIY ethos that permeated the punk scene. The raw and unpolished sound of the album was a deliberate choice, reflecting the band's rejection of mainstream production values.
